Nala Design New Collections Brutal TImes May 2026

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Latest issue on 7 Sept 2025. Update every Saturday.

Thursday Show
They definitely didn’t overthink

They definitely didn’t overthink

5 min read

They definitely didn't overthink

Somewhere on Beach Street in Penang, there’s a perfume and soap store called Overthink Co.

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And yes, before everyone says it, of course it looks like Aesop. It absolutely does. But honestly, it’s well done. The scents are fantastic, the prices are super reasonable, the staff knows what they’re talking about, and at the end of the day, that matters too.

I bought an almond soap that smells incredible and a hibiscus perfume for myself that I’ve been wearing ever since.

What I really loved is that Penang completely understands this kind of thing. Good taste. Good cafés. Good branding. Beautiful little stores hidden at the end of streets you would normally walk past. And the interesting part is that they took the risk to be slightly tucked away, yet every single time I walked in, the place was full.

That says a lot.

The skirt that thinks it is a painting.
The skirt that thinks it is a painting.
The skirt that thinks it is a painting.

There’s clearly an audience for thoughtful retail experiences that are beautifully designed and accessible at the same time.

That said, I would personally love to see even more soul in the space. A little more warmth. A little more colour. Something slightly less restrained and slightly more alive.

Which is exactly why I think a collaboration between NALA and Overthink could actually be really interesting.Fragrance meets pattern. Minimalism meets maximalism. Clean architecture meets flowers and storytelling.

Actually… that sounds kind of perfect.

The skirt that thinks it is a painting.
The skirt that thinks it is a painting.
Draw flowers with me

Draw flowers with me

5 min read

Draw flowers with me

Good news.
Our workshop at Tanglin Mall this Saturday has now gone down to just SGD99, and we still have space for 15 people,
so you can simply walk in and join us.

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I’ll personally be teaching the session, and for two to two and a half hours, we’ll go into the world of flowers, pattern-making, and design.

You’ll learn how to draw flowers, how to deconstruct them, how to really look at shape, rhythm, and detail, and then how to turn those drawings into patterns. The exact process I use myself when creating prints for Nala.

And the nicest part is that you’ll leave with your own framed artwork to take home.

The skirt that thinks it is a painting.
The skirt that thinks it is a painting.
The skirt that thinks it is a painting.

🕙 This Saturday
📍 Tanglin Mall
⏰ 10AM to 12PM / 12:30PM-ish
💲 SGD99

You can simply show up and pay on the spot.

Bring your friends, come alone, come curious. No age limit, no experience needed, and absolutely no need to know how to draw. Everyone is welcome.

There’ll be tea, cookies, conversation, and hopefully a really beautiful morning filled with creativity, flowers, and a lot of fun.

See you Saturday

On the top of our lap list

On the top of our lap list

5 min read

On the top of our lap list

Laptop covers are back.
Because frankly, life is too short for boring offices and depressing laptops.

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Our padded laptop covers come in two sizes:

Small: fits MacBook Airs, 11” to 13” laptops, and iPads
Large: fits larger MacBook Pro models up to 16”

The smaller size is also great for your iPad, although slightly oversized, which honestly just means more room for notebooks, chargers, sketchbooks, cables, and all the other things floating around in your bag.

The skirt that thinks it is a painting.
The skirt that thinks it is a painting.
The skirt that thinks it is a painting.

Available online and in all stores in Malaysia and Singapore starting this Saturday.

Great for work.
Great for travel.
Great for gifts.
And a very easy way to pretend you have your life together.

Take your pick

The skirt that thinks it is a painting.
The skirt that thinks it is a painting.
Mama Milano

Mama Milano

5 min read

Mama Milano

On instinct, timing, and building something of your own. There are certain people you come across who make you feel like things are possible in a different way.
JJ Martin is one of them.

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An American who arrived in Milan as a journalist, writing for publications and observing the city from the outside, she slowly found her way into it. Not by forcing it, but by paying attention. To the way women dressed, to the way homes were put together, to the colours, the layering, the confidence that Milan carries so effortlessly. Her book, Mama Milano, is exactly that. A personal, visual story of the city through her eyes. It moves between fashion, interiors, people, and moments, capturing a Milan that is not obvious, but lived in. You feel that she didn’t just visit the city, she absorbed it.

What I find most inspiring is that she didn’t start out as a designer. She built her world from instinct. From what she loved. From what she saw was missing. And at some point, that turned into something tangible, a brand, a store, a point of view that people now recognise. Her shop in Milan is a reflection of that. Strong, confident, unapologetically full of pattern and colour. It doesn’t try to please everyone. It simply is what it is.
And that is what makes it powerful.

The skirt that thinks it is a painting.
The skirt that thinks it is a painting.
The skirt that thinks it is a painting.

There is also something else that runs through her work, something quieter. A belief in energy, in timing, in being in the right place at the right moment, but also being ready for it. Yoga, spirituality, a certain awareness that what we build is not just business, but something more personal. I relate to that.
Because sometimes, when you are building something, it feels like you are chasing a place, a moment, a version of your life that hasn’t fully formed yet.

I remember going to her shop in Milan, picking up Mama Milano, and thinking how beautifully everything came together. How natural it all seemed, even though you know it must have taken years.
And I have to admit, every time I’m in Milan, I look for her.
Just in case. Because I do believe that one day, paths cross when they are meant to.

Until then, it’s enough to be inspired by someone who followed her instinct, trusted her timing, and built something that feels entirely her own.

The skirt that thinks it is a painting.
The skirt that thinks it is a painting.
The beauty of the hand

The beauty of the hand

5 min read

The beauty of the hand

For this collection, we worked with a different approach to batik. Not the traditional copper block stamping most people associate with Malaysian batik, but a silk screen wax-resist technique, where wax is pushed through screens by hand before the fabric is dyed. It sits somewhere between traditional batik and silkscreen printing, but still belongs very much to the batik family because the principle remains the same: wax resisting dye.

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Traditional batik is usually divided into a few methods. Batik tulis is drawn by hand using a canting tool. Batik cap uses copper stamps dipped in wax. Ours is closer to what is sometimes referred to as screen printed wax batik, a more contemporary evolution of the craft that allows larger surfaces and bolder compositions while still keeping the unpredictability that makes batik beautiful.

And that unpredictability is exactly why I love it.

The wax never behaves perfectly. The dye shifts slightly from batch to batch. Colours deepen, soften, or move depending on temperature, timing, and the hand of the maker. Some prints come out sharper, others more blurred around the edges. There are overlaps, irregularities, tiny imperfections that machines would immediately correct. But that is where the soul is.

The skirt that thinks it is a painting.
The skirt that thinks it is a painting.
The skirt that thinks it is a painting.

The more I worked on this Brutal Times collection, the more I realised how closely this process reflects brutalism itself. Brutalism was never really about concrete. It was about honesty. Letting materials speak for themselves. Showing texture, process, and construction instead of hiding them behind polish.

This batik does the same thing. You can see the hand in it.
You can feel the process in it. Nothing is overly corrected.

And in a world where everything is becoming increasingly digital, smooth, and identical, there is something deeply human about that. Every piece in this collection was designed in Malaysia, printed in Malaysia, dyed in Malaysia, and manufactured in Malaysia. That makes me incredibly proud. Not just because it supports local craftsmanship, but because it proves that Malaysian making still carries depth, character, and beauty when it is given the space to breathe.

No two pieces will ever be exactly alike, and we do not want them to be. Variations in colour and alignment are part of the process, not defects. They are evidence that somebody touched it, printed it, dyed it, and brought it to life by hand. That is the beauty of batik. And for us, that is the beauty of these brutal times.

The skirt that thinks it is a painting.
The skirt that thinks it is a painting.
The skirt that thinks it is a painting.
The skirt that thinks it is a painting.