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HIGHLIGHT

Latest issue on 7 Sept 2025. Update every Saturday.

Thursday Show
Little Prairie on the Hill, Minus John Boy

Little Prairie on the Hill, Minus John Boy

5 min read

Little Prairie on the Hill, Minus John Boy

There are very few places where I can genuinely slow down. A Little Farm on the Hill is one of them.

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I went with my daughter and immediately felt like I was home. The kind of calm that comes from people knowing exactly why they are doing what they are doing. The experience is a feast, not only for your stomach, but also for your eyes. Everything feels considered. Nothing feels forced. Everything has purpose. Pure wabi sabi.

I have enormous respect for Lisa Ngan and Pete Teo. Before this, they lived a completely different city life. Lisa Ngan is an architect by training, deeply attuned to structure, space, and detail. Pete Teo is a musician and filmmaker. Together, they decided to step away from the city and build something entirely new in Janda Baik, just a 45 minute drive from Kuala Lumpur. Neither of them had farming experience. They had never run a farm, grown vegetables, or operated a restaurant. They learned through trial and error, from books, friends, and sheer persistence. What they have built is both a working organic farm and a farm to table restaurant, rooted in sustainability, soil health, and respect for process.

The skirt that thinks it is a painting.
The skirt that thinks it is a painting.
The skirt that thinks it is a painting.

Having run a restaurant myself, I know how difficult it is to get everything right. The food, the timing, the atmosphere and the team. Here, it all works. The food is exceptional. Thoughtful, generous and beautifully cooked. It is also one of the best places I know for pescetarians and vegetarians, with a menu that adapts effortlessly and never makes you feel like an afterthought.

The staff are incredible. Confident, warm and very present. They look you in the eye. They crack jokes. You can have a conversation with them and my San Pellegrino was served like a bottle of champagne.

What stays with me most are the conversations. The genuine interest in you as a person. The curiosity and inspiring energy. The way Lisa and Pete engage, ask questions, listen. You leave feeling nourished in more ways than one. Even the flower arrangement in the toilet is beautiful, which tells you everything you need to know.

This time, my daughter asked Pete why they started all of this. The answer was simple. They wanted to do something completely different. Something they did not yet know how to do. They learned by doing.

If you want a long, slow, South of France style brunch, this is the place. If it were up to me, I would go every weekend. Malaysia would genuinely not be the same without A Little Farm on the Hill.

Good night, Lisa.
Good night, Pete.
Good night, John Boy.

The skirt that thinks it is a painting.
The skirt that thinks it is a painting.
Vol.7 開ける前から、もう嬉しい。

Vol.7 開ける前から、もう嬉しい。

5 min read

Vol.7 開ける前から、もう嬉しい。

Nala DesignsのWrapping Paperは、

いつも新しいデザインで私たちを迎えてくれます。

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それは流行のためでも、気分転換のためでもありません。

Nala Designsは**「包む時間」そのものを大切にしている**のです。

プレゼントを手に取った瞬間、まだ開けていないのに、なぜか嬉しくなる。

Nalaのラッピングには、そんな力があります。

日本には、「包む」を大切にしてきた文化があります。

贈り物はむき出しでは渡さず、紙や布で包み、結び、両手で差し出す。

それは装飾ではなく、相手への敬意や思いやりを形にする行為でした。

中身より先に、気持ちを渡す。開ける前の時間にも、意味がある。

それが日本の「包む」という感覚です。

Ms Lisetteが毎回Wrapping Paperを新しくするのも、この感覚と、どこか重なっているように思えます。同じ商品でも、その時のNala、その時の気持ちで包み直す。

ラッピングは、出会いの温度を整えるための、最初の一手なのです。

Unagi Clubは、

こうした静かな美意識に、心を惹かれています。次にNala Designsを手にしたとき、 開ける前の、その一瞬を少しだけ楽しんでもらえたらいいなと思います。

The skirt that thinks it is a painting.
The skirt that thinks it is a painting.
The skirt that thinks it is a painting.
Perspective Is Everything. Even With a Flower.

Perspective Is Everything. Even With a Flower.

5 min read

  Perspective Is Everything. Even With a Flower.

The Bunga Raya is Malaysia’s national flower and one of the most overused motifs in the country. It has been painted, printed, and repeated so often that many people stop really seeing it. That was
precisely the point of departure for this print.

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Rather than depicting the flower literally, I took it apart. I dissected its form. What emerged is not an obvious hibiscus, but a contemporary interpretation that feels joyful, a little bit Mediterranean but definitely very happy.

It is unmistakably Malaysian, yet it does not announce itself as such.

The skirt that thinks it is a painting.
The skirt that thinks it is a painting.
The skirt that thinks it is a painting.

This pink Bunga Raya print was originally commissioned by Jo Malone London many years ago. It did not fit their branding, but it found its true place with us, translated into tablecloths and homeware. I wanted it to carry a happy, almost Mexican Spanish spirit. Warm, generous, and made to be lived with.

The tablecloth is finished with a light acrylic coating, making it subtly waterproof and ideal for everyday use. It is designed to be used, not preserved.

What fascinates me is how one flower can generate endless interpretations. Some see repetition. I see possibility. Some see something tired. I see happiness. The flower never changed. The perspective did.

That idea extends far beyond design. In life, truth is personal. You choose what you focus on, what story you tell yourself, and how you interpret the world around you.

That is what Nala has always done. We take the familiar and offer a new way of seeing it. And suddenly, a flower becomes not just a flower, but thousands of new stories waiting to be told.

The skirt that thinks it is a painting.
The skirt that thinks it is a painting.
A Book That Could Only Be Mine

A Book That Could Only Be Mine

5 min read

A Book That Could Only Be Mine

One of the absolute highlights this Christmas was a book gifted to me by my dearest friend Arnaud. He is the film director behind all our Thursday shows and the editor of this newsletter, and we have been working side by side for fifteen years. This gift says everything about how deeply he knows me. The book quite literally has my name on it, and it feels as if it was made for me and no one else.

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The book is The Art and Beauty of Flower Arranging by Frederic Girard, a French artist and illustrator whose work became widely recognised in the 1960s and 70s. Girard was known for translating the natural world into strong graphic compositions, combining botanical precision with a very modern visual language. His illustrations were often used in art books and educational publications, yet they never felt academic. They were bold, joyful, and deeply aesthetic.

This book is a collection of his flower prints from the 1970s. Every page feels confident and alive. The colours, the shapes, the rhythm of the compositions. It is timeless rather than nostalgic, and endlessly inspiring. Without a doubt, the winning Christmas present.

The skirt that thinks it is a painting.
The skirt that thinks it is a painting.
The skirt that thinks it is a painting.
Nothing Wasted, Everything Beautiful

Nothing Wasted, Everything Beautiful

5 min read

Nothing Wasted, Everything Beautiful

This month is all about upcycling, and this project has been quietly waiting for its moment for more than ten years.

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Deep in our archives, we found a stack of old backpacks from at least a decade ago. Instead of looking at what they were, we looked at what they could become. We took them apart, carefully, and discovered that the inside lining, a black printed fabric, was actually incredibly beautiful.

These new pouches are made from that very lining. A material that already existed, already had a story, and simply needed a second life. We paired it with fabrics from our archives, prints that have travelled with us for years, and suddenly everything made sense. These pouches feel familiar and new at the same time.

The skirt that thinks it is a painting.
The skirt that thinks it is a painting.
The skirt that thinks it is a painting.

These new pouches are made from that very lining. A material that already existed, already had a story, and simply needed a second life. We paired it with fabrics from our archives, prints that have travelled with us for years, and suddenly everything made sense. These pouches feel familiar and new at the same time.

They are perfect as gifts. Thoughtful, practical, and quietly special. The kind of object you reach for every day without thinking, and then realise you have had it for years.

Each pouch comes with a leather drawstring, inspired by a pouch I once received from a Japanese fan who joined one of my workshops. It was such a simple, generous gift, beautifully made, and I never forgot it. This is our way of passing that feeling on.

We will be launching these pouches in one week’s time. Not tomorrow. Some things deserve a little patience.

Nothing wasted. Everything considered. And proof that beauty often already exists, waiting to be rediscovered.